Enter stranger, but take heed, of what awaits the sin of greed, for those who take, but do not earn, must pay most dearly in their turn, so if you seek beneath our floors, a treasure that was never yours, thief you have been warned, beware of finding more than treasure there. -J.K. Rowling
Monday, February 28, 2011
Haiku
Haiku Guy
Over February break we had to read Haiku Guy (cover on the right), a telling of the life of on of the famous haiku master, Issa's student "Buck-Teeth." I really enjoyed this book, the writing was a mixture of quietly yet powerfully descriptive and bluntly humorous, and this, I think, helped me most of all enjoy the story. Haiku Guy is set it Old Japan and New Orleans, giving the book a nice kind of juxtaposition, much like a haiku. David Lanoue tells us a story that he insists is being sent to him by a Buddha from the beyond and is full of colorful characters, most of whom we know only by their bamboo brush names, Buck-Teeth, Cup-of-Tea (Issa himself), Mido, Shiro, and Kuro are only some. We also meet people from the present, people in David’s writing group who give him advice on the book, and sometimes even enter its pages. This book is what you could call an instruction manual from the art of writing haiku, using the stories of Buck-teeth and his colorful friends as lessons, and then giving anecdotes from the authors own life to enforce the point he sis trying to make. I don't usually read instruction manuals on rainy Saturdays, but this one is really a great example of a rule breaker, because you would never know was it really is. The morals or the stories are so nicely wrapped up in elegant words and profound thoughts that you would never know you are learning the language of poetry. I would suggest this book to anybody, it has a bit of everything, its great for those rainy days you know your in the mood for something, but you don't really know what. Who knows you might become the next Cup of Tea with a little help from the master himself.
Wednesday, February 16, 2011
Last Words
Tuesday, February 15, 2011
Pointed Questions #2
Monday, February 14, 2011
Questions
Thursday, February 10, 2011
2021
Sunday, February 6, 2011
Movement of the World Post #1 Musical Motions
The man was tall. Tall, with overly long arms, and legs that must have been a disadvantage on small planes. He traveled a lot, it said so in the program I clutched in a seat at the back of the auditorium; to England, inland, Scotland, and all over Europe, so I am sure he has had experiences with planes, of all sizes. Even from up in the balcony, I could see how tall he was. He dwarfed his full sized, 300 year old instrument hunching over it protectively as he tuned. When he straightened up he didn’t say anything to the audience, no puns, no explanation; he knew what we were there to see, or rather hear, and it wasn't him cracking lame jokes.
The room was more than silent as he put horsehair to metal, the air was think with baited breaths and even the dust particles stopped to watch as he drew, in a long streak of crimson, the bow across the string, creating the first note of the rest of our lives.
I don’t believe that any art form, even this one, with its infinite words and phrases, metaphors and similes, can describe another, and that is why I will not waste my time with a lengthy description of what can never be conveyed in words alone. For that to be possible, this would have to be written in the curves of base clefs, and the lines of quarter notes, the periods at the end of my sentences would be marking dotted half notes. There is no way I can live up to the magnitude of his playing, but I can describe the way he moved, and interacted with us, his instrument, and the air its self.
His long fingers looked as thought he wasn't even holding the bow, as if it were floating thought the air, mealy guided by his arm. It would glide and then jerk, as if it were a ship on a stormy sea. He wore a blood red shirt with black slacks, the classic attire for a cellist, male or female. His shirt was so neat and crisp that every crease stood out clearly black against the crimson. Mountains, valleys and plains formed on his right sleeve, as he played first soft then loud, slow and then fast. He seemed to be acting out the music as much as playing it, his arms the curtains, fingers running up and down the fingerboard the actors, and his instrument the set.
His shadow, a warped double of himself, stood with him and bowed when he finished. he sat again, cleared his throat, adjusted his glasses with spidery fingers and then started the whole spectacle over again.
this is a description of a concert i went to last weekend with the world renowned cellist Steven Doane at Kilbourn Hall at the Eastman School of Music. Ben Doane, Steven Doane's son, plays at the same school that i do, with the same teacher, so i have met mr. Doane before, but this time I actually heard HIM play, and it really changed the way i look at playing an instrument.
Friday, February 4, 2011
Hot Air

Pointed Question #1
Thursday, February 3, 2011
Profoundly Random Thought #1 Paper Reflections
